Philosophie (Doxographica) by Hildegard Temporini, Wolfgand Hasse (eds.)

By Hildegard Temporini, Wolfgand Hasse (eds.)

AUFSTIEG UND NIEDERGANG DER ROMISCHEN WELT (ANRW) is a piece of overseas cooperation within the box of historic scholarship. Its objective is to provide all very important features of the traditional Roman international, in addition to its legacy and persisted effect in medieval and glossy occasions. matters are handled in person articles written within the mild of today's examine. The paintings is split into 3 elements:
I. From the Origins of Rome to the tip of the Republic
II. The Principate
III. overdue Antiquity
Each half contains six systematic sections, which sometimes overlap: 1. Political historical past, 2. legislation, three. faith, four. Language and Literature, five. Philosophy and the Sciences, 6. The Arts.

ANRW is equipped as a instruction manual. it's a survey of Roman reports within the broadest experience, and comprises the background of the reception and effect of Roman tradition as much as the current time. the person contributions are, looking on the character of the topic, both concise shows with bibliography, challenge and study experiences, or consultant investigations masking wide parts of subjects.

Approximately a thousand students from thirty-five international locations are participating in this paintings. The articles seem in German, English, French or Italian. As a piece for learn and reference, ANRW is an necessary device for examine and educational instructing within the following disciplines: historical, Medieval and glossy background; Byzantine and Slavonic experiences; Classical, Medieval Latin Romance and Oriental Philology; Classical, Oriental and Christian Archaeology and historical past of artwork; criminal stories; faith and Theology, particularly Church background and Patristics.

In practise:
Part II, Vol. 26,4: faith - Vorkonstantinisches Christentum: Neues testomony - Sachthemen, Fortsetzung
Part II, Vol. 37,4: Wissenschaften: Medizin und Biologie, Fortsetzung.

For additional information regarding the venture and to view the desk of contents of past volumes please stopover at http: //www.bu.edu/ict/anrw/index.html

To seek key phrases within the desk of contents of all released volumes please confer with the quest engine at http: //www.uky.edu/ArtsSciences/Classics/biblio/anrw.html

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Gigon, Interpretationen p. 166. L. 3-4. Among them are C. Mulvany, Notes on the Legend of Aristotle, Classical Quarterly 20 (1926) p. 155-67, D. Wormell, The Literary Tradition Concerning Hermias of Atar neus, Yale Classical Studies 5 (1935) p. 57-92, J. Bidez, Hermias d'Atarnée, Bull, de la Classe des Lettres de l'Académie Royale de Belgique 29 (1943) p. 133-46, W. Jaeger, Aristotle p. 110- 19, P. Moraux, La composition p. 137 - 40, 1. During, AABT p. 27283, O. Gigon, Interpretationen p. 171 -4, C.

L. et le Peripatos p. 257. F. Wehrli, SA vol. 6, p. 21, places instruction under Panthoides early in Lyco's career. D. L. 75: où-toc, 8ir|Kouae ©eocppaaxou. Cicero, De fin. , fr. 62 Wehrli, De leg. 14 = fr. 72, De off. 3 = fr. 37-8 = fr. 175, Strabo, Geog. 20 = fr. 27, P. Herc. ined. 453, fr. 9 (Kolotes und Menedemos p. 67 Crônert) = fr. 159, and Suda, s. v. Anuf|xpioç (no. 429, part 2, p. 24 Adler) = fr. 3. ,6 D. L. 86: 'AGT|vriai 8è TtapéBaXe npànov uèv IneuainTicp àXXà Kai zùv nu9ayopsicov SiT|Kouae Kai xà nXàxcovoç èÇnXcoKer Kai ûaxepov ^kodoev 'ApiaxoxéXouç, &q cpnai Zoxic»v èv AiaSoxaîç = Sotion, fr.

132 This digression, barren of details as it is, seems to have little if any connection with Aristotle. There is a connection, but we have to wait some time before we find out what it is. 9, after Apollodorus' detailed chrono logy of Aristotle's life. 136 For this provides an instructive example of how the charge of àaepeiaç ypcupr| could be trumped up as a screen for a political conflict. It was a standard means for effectively removing various individuals considered detrimental to the state. 137 The ostensive grounds for the accusation of Aristotle were his hymn in honor of Hermias and the poetic inscription which he 130 D.

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